What happened after the 100 Crore Feat!
As we all know, a rs. 100 crore nett business for a hindi movie, via itself, does now not spell successful. Relying on a movie’s budget, this kind of movie may be a super-hit (grand masti), successful (ek villain), a mean performer (son of sardaar) or even a flop (dilwale). However, the discern does show an index of footfalls in indian cinema halls. To an awesome extent, the equal is contemplated through 200, 250 and 300 crore-plus grossing movies.
What’s, consequently, clear is that there may be an target audience connect even within the rs. One hundred crore flops (traditionally, the degree of fulfillment or failure is decided by using the primary axiom of value versus income or loss). But what occurs to the next film of a director after his 100-crore feat? While a rohit shetty or a rajkumar hirani and a few franchises (golmaal, singham, dabangg, tiger…, bahubali) hold (or even beautify) the momentum, a few directors fail to repeat records.
Here are cases in which the administrators reputedly misplaced connect in subsequent films, and our analysis of why they did.
A.R. Murugadoss – holiday – a soldier is never off duty / 2014:
After inaugurating the rs. One hundred crore membership manner lower back in christmas week 2008 with ghajini, murugadoss confirmed his “golden” contact once more with this movie. He was also the story creator of the rs. One hundred crore jai ho! In advance in that yr, and of the fairly a hit gabbar…is again (2015). However, his acumen failed with the confused and gender-bender model of the south hit mouna guru, akira, which collapsed on (de-)advantage. After that, arm is yet to get worried in a hindi film.
Abhinav singh kashyap – dabangg / 2010:
Buzz turned into that loads of submit-production and big edits were finished at the behest of main guy salman khan and a top director-editor before the finished model of dabangg have become unstoppable at the field-workplace and become crowned the largest hit in 2011. The more youthful kashyap next tried his hand at besharam, a film so pathetic that rishi kapoor admitted that he, wife neetu singh and son ranbir kapoor, have been conned into accepting it. For nearly 5 years since, kashyap has disappeared.
Anubhav sinha – ra. One / 2011:
After the large-price range of this shah rukh khan home manufacturing misfired, anibhav determined to play safe with tum bin 2, a sequel to his small 2001 debut directorial hit. But the sequel become too calculated (that too, wrongly) and in contrast to that film, neither the movie nor its track worked.
Anurag basu – barfi! / 2012:
The right element anurag did after barfi! Become to explore new vistas in the mainstream space once more, after numerous films every time, and he cast ranbir kapoor and katrina kaif in jagga jasoos, a subject that barfi! Become a style hitherto untapped in hindi cinema. In which he went incorrect, mockingly, was in the same branch: the hollywood-like musical format did now not connect, and the exorbitant postpone, manufacturing fee and large negativity did the grimy trick! However we dare say that during time the movie could be taken into consideration a conventional.
Ashwni dhir – son of sardaar / 2012:
The person who makes his living essentially from sitcoms attempted a small movie, guest iin london, similar in tenor and name to his 2010 success, atithi…tum kab jaoge? However the substandard content material in now not just the punjabi overdose but also the reasonably-priced, rest room humor became this type of horrible waste of three proficient actors—paresh rawal, kartik aaryan and kriti kharbanda. Dhir, now, clearly is aware of in which to attract the road in humor—with a bit of luck!
Indra kumar – grand masti / 2013:
Every day is not a sunday. Indra kumar learnt this lesson the tough manner when he moved from naughty to completely crass in his intercourse comedy franchise with awesome grand masti. Earlier than that, a melodrama, great nani, also sank with out trace. Thankfully, burning his hands seems to have done him accurate, for he is now stepping into the 1/3 installment of his easy comedy franchise with overall dhamaal. For a director to remain relevant 28 years down, a franchise does seem more more secure whilst films and tendencies have changed so dramatically fast.
Kabir khan – bajrangi bhaijaan / 2015:
To be fair, his phantom, which flopped in the identical 12 months as bajrangi…, became shot in advance. On merit, it need to have at least had a mean run, for it in no way broke the regulations of hindi cinema. However tubelight (notwithstanding crossing rs. A hundred crore) did, and underperformed vis-à-vis costs via displaying salman khan as a helpless individual who’s beaten up, nurtured via sohail khan’s character and even shah rukh khan’s magician cameo. And an overconfident kabir disregarded these basic fundas in his zest for displaying a “one-of-a-kind” (sic) salman, which turned into a piece like showing john wayne in a priest’s gowns!
Karan malhotra – agneepath / 2012:
His observe-up film, brothers, changed into courageously special, but ended up being too dark and dreary. Maybe malhotra has learnt now that when dark movies like agneepath work, phrases and conditions apply!
Mohit suri – ek villain / 2014:
No filmmaker can afford to get complacent. Hamari adhuri kahani and half of girlfriend in general gave the vibe that a director with three consecutive large hits (homicide 2, aashiqui 2 and ek villain) felt he should do no wrong. The script and music—suri’s fortes!—had been each given quick shrift, and the clever target market did the equal with those movies!
Raja krishna menon – airlift / 2016:
Become it the forged that did the film in? Or the unidentifiable name (for the masses)? Or changed into it the zero advertising and indifferent promotions? Or changed into it all of them? We will in no way understand why chef (a licensed version of a sleeper hollywood hit) did not take off. On deserves, it have to have at the least completed modest business. Raja had his emotional grip and quotient spot-on. We anticipate his next flow with interest as one of the most promising new directors around.
Rakeysh omprakash mehra – bhaag milkha bhaag / 2013:
Going incorrect on every the front from concept to content and casting, mirzya was approximately as interesting as a lighted torch in daylight hours. The movie had 0–relate-worth quotient and disappeared quicker than a meteor.
Remo d’souza – abcd – any body can dance 2 / 2015:
This time, the hitherto foolproof remo went hopelessly incorrect while he mixed genres and imbalanced his personal script to make a pressured movie for tiger shroff. Proven that he should deal with content material (f.A.L.T.U. And the abcd franchise), with a bit of luck d’souza will skip his acid test with race three. Now, that is the kind of task wherein the script must be best, and we are hoping that he does now not make the mistake of wondering that whatever with salman will paintings huge-time!
Sajid khan – housefull 2 / 2012:
The irrepressible sajid khan attributes his dismal document of atrocious films (himmatwala, humshakals) after this movie to arrogance. Problem is, he first stated that before the release of humshakals as properly! Well, his do-or-perish opportunity now is housefull 4, after he lost the franchise movie housefull 3 in-between. And we hope he is aware of that prevention is better than remedy!
Sohail khan – jai ho! / 2014:
Another filmmaker who went small after jai ho! Changed into sohail khan, whose chose to make a mild comedy. Freaky ali was a lovable, experience-precise movie, which, but, could not rake in the numbers.